{"id":1750,"date":"2016-02-15T19:11:29","date_gmt":"2016-02-15T18:11:29","guid":{"rendered":"https:\/\/www.sgeaj.ch\/fr\/colloque-art-et-liberalisme-en-france-2016\/"},"modified":"2021-04-11T16:27:02","modified_gmt":"2021-04-11T14:27:02","slug":"colloque-art-et-liberalisme-en-france-2016","status":"publish","type":"post","link":"https:\/\/www.sgeaj.ch\/fr\/actualite\/colloques\/colloque-art-et-liberalisme-en-france-2016\/","title":{"rendered":"Art et lib\u00e9ralisme en France (1814-1830)\u00a0\u00bb"},"content":{"rendered":"

Art et lib\u00e9ralisme en France (1814-1830). La contestation par l\u2019image<\/strong><\/h2>\n

Colloque international<\/p>\n

Depuis une vingtaine d\u2019ann\u00e9es, l\u2019histoire de l\u2019iconographie politique sous la Restauration a suscit\u00e9 un certain nombre de travaux (Marie-Claude Chaudonneret, Annie Duprat, Emmanuel de Waresquiel, Nina Maria Athanassoglou-Kallmyer et Bruno Chenique). Plusieurs \u00e9tudes consacr\u00e9es \u00e0 des artistes de premier plan (Th. G\u00e9ricault, H. Vernet, J.-B. Isabey, N.-T. Charlet, A. Scheffer, etc.) ont notamment permis de pr\u00e9ciser les cadres d\u2019\u00e9laboration, de diffusion et de r\u00e9ception d\u2019oeuvres \u00e9labor\u00e9es dans les cercles de l\u2019opposition lib\u00e9rale (bonapartistes, r\u00e9publicains, charbonniers, anticl\u00e9ricaux) et consid\u00e9r\u00e9es comme potentiellement subversives par les monarchistes. Durant cette p\u00e9riode, l\u2019estampe et les oeuvres s\u00e9ditieuses font en effet partie int\u00e9grante de la strat\u00e9gie d\u2019opposition, au m\u00eame titre que les luttes \u00e9lectorales, les pamphlets litt\u00e9raires et l\u2019exposition de m\u00e9mentos r\u00e9publicains ou bonapartistes.<\/p>\n

Si certaines des modalit\u00e9s de l\u2019engagement politique des artistes et des \u00e9crivains \u00abenr\u00f4l\u00e9s\u00bb dans l\u2019opposition lib\u00e9rale paraissent d\u00e9sormais mieux connues, on peut affirmer que le sujet est loin d\u2019\u00eatre \u00e9puis\u00e9. Ce colloque, organis\u00e9 dans le cadre des activit\u00e9s de recherche de la section d\u2019histoire de l\u2019art et de l\u2019Institut Benjamin Constant de l\u2019Universit\u00e9 de Lausanne, a donc pour objectif de poursuivre la dynamique initi\u00e9e par des travaux ant\u00e9rieurs \u00e0 travers l\u2019\u00e9tude d\u2019un corpus original, avec une attention toute particuli\u00e8re au portrait (peinture, sculpture, gravure\/lithographie, caricature). Il s\u2019agira de pr\u00e9ciser le contexte de production et de r\u00e9ception de ces images en France entre 1814 et 1830 \u00e0 partir de sources vari\u00e9es, souvent m\u00e9connues et relativement peu exploit\u00e9es par les chercheurs, mais encore de mettre en exergue les obstacles auxquels ont pu se heurter les auteurs et\/ou commanditaires de ces images et les pol\u00e9miques que leurs initiatives ont \u00e9ventuellement engendr\u00e9es.<\/p>\n

Cyril L\u00e9cosse et Guillaume Poisson, organisateurs
\n<\/p>\n

Jeudi 17 mars 2016, Unith\u00e8que (BCU), salle de conf\u00e9rence
\n<\/strong><\/h3>\n

09h15 <\/strong>Accueil<\/p>\n

09h30 <\/strong>Ouverture par Cyril L\u00e9cosse (Section d’histoire de l\u2019art, Universit\u00e9 de Lausanne) et Guillaume Poisson (Institut Benjamin Constant, Universit\u00e9 de Lausanne)<\/p>\n

Pr\u00e9sident: L\u00e9onard Burnand, Institut Benjamin Constant, Universit\u00e9 de Lausanne<\/p>\n

09h45 <\/strong>Annie Duprat, Universit\u00e9 de Cergy-Pontoise, \u00ab Libert\u00e9 d\u2019expression, autocensure et censure en France pendant la Restauration (1814-1830) \u00bb<\/em><\/p>\n

10h30 <\/strong>Nina Maria Athanassoglou-Kallmyer, University of Delaware, \u00ab Lutte des signes, lutte des classes : Pour une nouvelle embl\u00e9matique sociale sous la Restauration \u00bb<\/em><\/p>\n

Pr\u00e9sident: Prof. Philippe Kaenel, Section d’histoire de l\u2019art, Universit\u00e9 de Lausanne<\/p>\n

14h00 <\/strong>Guillaume Nicoud, Mus\u00e9e d\u2019\u00c9tat de l\u2019Ermitage, \u00ab La naissance d\u2019un peintre contestataire : Horace Vernet et les premi\u00e8res ann\u00e9es de la Restauration \u00bb<\/em><\/p>\n

14h30 <\/strong>Cyril L\u00e9cosse, Universit\u00e9 de Lausanne, \u00ab Le \u2018Roi de Rome pouss\u00e9 par la France\u2019: Jean-Baptiste Isabey et les \u2018partisans z\u00e9l\u00e9s de Bonaparte\u2019 sous la Restauration \u00bb<\/em><\/p>\n

16h00 <\/strong>Richard Wrigley, University of Nottingham, \u00ab The fl\u00e2neur in the Restauration: the politics of strolling\u00a0\u00bb<\/em><\/p>\n

16h30 <\/strong>Peggy Davis, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, \u00ab La figure de l\u2019invalide sous la Restauration \u00bb<\/em><\/p>\n

17h15 <\/strong>Discussion<\/p>\n

Vendredi 18 mars 2016, Amphip\u00f4le, salle 321<\/strong><\/h3>\n

Pr\u00e9sident: Annie Duprat, Professeure \u00e9m\u00e9rite d\u2019Histoire moderne Universit\u00e9 de Cergy-Pontoise<\/p>\n

09h00 <\/strong>Andrew Carrington Shelton, The Ohio State University, \u00ab Achille Dev\u00e9ria\u2019s Quatre Sergents de La Rochelle (1822) \u00bb<\/em><\/p>\n

09h30 <\/strong>Bruno Chenique, Reims, \u00ab Les portraits de Louvel: ouvrier, monomane ou assassin impersonnel ? \u00bb<\/em><\/p>\n

10h30 <\/strong>Guillaume Poisson, Universit\u00e9 de Lausanne, \u00ab \u2018Le vilain animal est leur Benjamin\u2019, les caricatures politiques contre Benjamin Constant sous la Restauration \u00bb<\/em><\/p>\n

11h00 <\/strong>J\u00e9r\u00f4me Louis, Institut Napol\u00e9on, Paris, \u00ab Se moquer et fustiger par la caricature le roi Charles X \u00bb<\/em><\/p>\n

11h30 <\/strong>Discussion<\/p>\n

12h00 <\/strong>Conclusion par Philippe Kaenel, Universit\u00e9 de Lausanne<\/p>\n

\u2192 D\u00e9pliant (pdf)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Art et lib\u00e9ralisme en France (1814-1830). La contestation par l\u2019image Colloque international Depuis une vingtaine d\u2019ann\u00e9es, l\u2019histoire de l\u2019iconographie politique sous la Restauration a suscit\u00e9 un certain nombre de travaux (Marie-Claude Chaudonneret, Annie Duprat, Emmanuel de Waresquiel, Nina Maria Athanassoglou-Kallmyer et Bruno Chenique). Plusieurs \u00e9tudes consacr\u00e9es \u00e0 des artistes de premier plan (Th. G\u00e9ricault, H. […]<\/p>\n","protected":false},"author":2,"featured_media":3536,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,27],"tags":[],"class_list":{"0":"post-1750","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-colloques","9":"czr-hentry"},"yoast_head":"\nArt et lib\u00e9ralisme en France (1814-1830)" - Schweizerische Gesellschaft f\u00fcr die Erforschung des 18. 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