{"id":2484,"date":"2017-10-17T19:05:54","date_gmt":"2017-10-17T17:05:54","guid":{"rendered":"https:\/\/www.sgeaj.ch\/fr\/decor\/"},"modified":"2021-04-11T16:07:53","modified_gmt":"2021-04-11T14:07:53","slug":"decor","status":"publish","type":"post","link":"https:\/\/www.sgeaj.ch\/fr\/actualite\/colloques\/decor\/","title":{"rendered":"D\u00e9cor et architecture"},"content":{"rendered":"

Deuxi\u00e8me colloque international<\/strong><\/p>\n

D\u00e9cor et architecture (XVIe-XVIIe si\u00e8cle) :
\nentre union et s\u00e9paration des arts \/
\nD\u00e9cor and Architecture (16th-17th centuries):
\nBetween Adherence and Autonomy<\/h2>\n

Universit\u00e9 de Lausanne, 16-17 novembre
\nQuartier Centre | B\u00e2timent Unith\u00e8que (Biblioth\u00e8que cantonale et universitaire), salle 511<\/p>\n

Le d\u00e9cor, \u00e0 la p\u00e9riode moderne, est consid\u00e9r\u00e9 comme l\u2019une des parties fondamentales de l\u2019architecture. Gr\u00e2ce \u00e0 lui, celle-ci se distingue de la simple ma\u00e7onnerie et peut revendiquer une forme d\u2019excellence. Dans une telle perspective, le d\u00e9cor est une condition essentielle \u00e0 l\u2019architecture et non pas un \u00e9l\u00e9ment marginal. Ce statut privil\u00e9gi\u00e9 n\u2019emp\u00eache cependant pas les commentateurs de s\u2019en m\u00e9fier : ils craignent la prolif\u00e9ration incontr\u00f4l\u00e9e de l\u2019ornement, qu\u2019ils jugent nuisible \u00e0 l\u2019architecture. Le pr\u00e9sent colloque ambitionne d\u2019interroger la mani\u00e8re dont les rapports entre d\u00e9cor et architecture ont \u00e9t\u00e9 pens\u00e9s et pratiqu\u00e9s dans l\u2019Europe des XVIe et XVIIe si\u00e8cles.
\nNotre perception de ces liens est souvent inform\u00e9e par des approches t\u00e9l\u00e9ologiques. Ainsi, les th\u00e8ses radicales v\u00e9hicul\u00e9es par certains \u00e9crits au xxe si\u00e8cle, renvoyant le d\u00e9cor \u00e0 la p\u00e9riph\u00e9rie de l\u2019architecture, ont-elles agi \u00e0 la mani\u00e8re de prismes d\u00e9formants. L\u2019histoire de l\u2019art, pour sa part, a souvent s\u00e9par\u00e9 l\u2019\u00e9tude du d\u00e9cor de celle de l\u2019architecture, instituant de fait une rupture entre ces deux champs, susceptible de biaiser notre compr\u00e9hension de la production artistique \u00e0 la p\u00e9riode moderne et d\u2019en r\u00e9duire la port\u00e9e. Les \u00e9tudes de cas r\u00e9v\u00e8lent des diff\u00e9rences notables dans les modalit\u00e9s de l\u2019invention du d\u00e9cor d\u2019un \u00e9difice \u00e0 l\u2019autre. Les pr\u00e9rogatives des architectes s\u2019av\u00e8rent variables selon les circonstances et les contraintes auxquels ils sont soumis, certains \u00e9tant fortement impliqu\u00e9s dans la conception du d\u00e9cor, tandis que d\u2019autres en laissent le dessein aux artistes ou hommes de m\u00e9tiers.<\/p>\n

Jeudi 16 novembre 2017<\/strong><\/p>\n

9h00\u00a0\u00a0\u00a0 Accueil des participants
\n9h15\u00a0\u00a0\u00a0\u00a0 Matthieu LETT, Carl MAGNUSSON, L\u00e9onie MARQUAILLE (Universit\u00e9 de
\nLausanne): Introduction
\n9h30\u00a0\u00a0\u00a0 Carl MAGNUSSON (Universit\u00e9 de Lausanne\/Getty Research Institute):
\nCerner le d\u00e9cor<\/em>
\n10h15\u00a0\u00a0 \u00a0Catherine TITEUX (\u00c9cole nationale sup\u00e9rieure d’architecture de Montpellier):
\nOrdonnances sans ordres. Les lieux du mur, autour de l\u2019\u0153uvre de Philibert De l’Orme<\/em>
\n11h30\u00a0\u00a0 \u00a0Federica VERMOT (Universit\u00e9 de Lausanne): Choisir l\u2019architecture comme d\u00e9cor: \u00e0 propos d\u2019une intervention de Giacomo della Porta pour l\u2019\u00e9glise San Bernardo alle Terme \u00e0 Rome<\/em>
\n12h15\u00a0\u00a0 \u00a0Caroline HEERING (Universit\u00e9 catholique de Louvain – FNRS): Entre ornement, sculpture et peinture : l\u2019architecture baroque et son d\u00e9cor dans les anciens Pays-Bas m\u00e9ridionaux au XVIIe si\u00e8cle<\/em><\/p>\n

14h30\u00a0\u00a0 \u00a0Pascal DUBOURG-GLATIGNY (CNRS): La question du sgraffito en Europe : planification des d\u00e9cors urbains dans la ville nouvelle de Zamo\u015b\u0107<\/em>
\n15h15\u00a0\u00a0 \u00a0Sophie FRADIER (Universit\u00e9 Toulouse Jean-Jaur\u00e8s): Collaborer pour mieux orner : le cas des fre\u0300res architectes Souffron (vers 1554-1649)<\/em>
\n16h30\u00a0\u00a0 \u00a0\u00c9tienne FAISANT (Labex Les pass\u00e9s dans le pr\u00e9sent): \u00ab The ordenanse therof came from us \u00bb : la part d\u2019un sculpteur fran\u00e7ais dans le dessin des fa\u00e7ades de Longleat<\/em>
\n17h15\u00a0\u00a0 \u00a0Anne LE PAS DE SECHEVAL (Universit\u00e9 Paris Nanterre): L’architecte ou le sculpteur ? R\u00e9flexions sur les monuments de c\u0153ur de Saint-Louis-des-J\u00e9suites \u00e0 Paris<\/em><\/p>\n

Vendredi 17 novembre 2017<\/strong><\/p>\n

9h30\u00a0\u00a0 \u00a0Marianne COJANNOT-LE BLANC (Universit\u00e9 Paris Nanterre): Le cabinet des Bains d\u2019Anne d\u2019Autriche au Louvre<\/em>
\n10h15\u00a0\u00a0 \u00a0Ga\u00eblle LAFAGE (Universit\u00e9 catholique de l’Ouest, Angers): Charles Le Brun et l\u2019architecture \u00e9loquente<\/em>
\n11h30 \u00a0\u00a0 \u00a0Fr\u00e9d\u00e9rique VILLEMUR (\u00c9cole nationale sup\u00e9rieure d’architecture de Montpellier): L\u2019architecte, le peintre et le perroquet : Palladio et V\u00e9ron\u00e8se \u00e0 la villa Barbaro, retour sur une \u00e9nigme<\/em>
\n12h15\u00a0\u00a0 \u00a0Ronan BOUTTIER (Universit\u00e9 Paris Sorbonne): D\u00e9cors de fra\u00eecheur : la conception des bains priv\u00e9s au XVIIe si\u00e8cle, \u00e0 la crois\u00e9e de l\u2019architecture et de la m\u00e9decine<\/em><\/p>\n

14h30 \u00a0\u00a0 \u00a0Micha\u00ebl DECROSSAS (Laboratoire Saprat, Ecole pratique des hautes \u00e9tudes): Le \u00ab dehors \u00bb et le \u00ab dedans \u00bb : le d\u00e9cor selon Antoine Le Pautre<\/em>
\n15h15\u00a0\u00a0 \u00a0Nicolas COURTIN (Direction des Affaires culturelles, d\u00e9partement Histoire de l\u2019architecture et Arch\u00e9ologie de Paris – Secr\u00e9tariat g\u00e9n\u00e9ral de la Commission du Vieux Paris): Dehors et dedans de quelques h\u00f4tels particuliers parisiens du XVIIe si\u00e8cle : le d\u00e9cor au service d\u2019une famille<\/em>
\n16h30\u00a0\u00a0 \u00a0Val\u00e9rie AUCLAIR (Universit\u00e9 Paris-Est): D\u00e9cor et interpr\u00e9tations de l\u2019architecture. Le Passage de la Mer Rouge et les fonctions du jub\u00e9 de la cath\u00e9drale de Langres \u00e0 la Renaissance<\/em>
\n17h15 \u00a0\u00a0 \u00a0Christian MICHEL (Universit\u00e9 de Lausanne): Conclusion<\/em><\/p>\n

Le colloque est ouvert au public, dans la limite des places disponibles<\/p>\n

\u2192 Programme<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Deuxi\u00e8me colloque international D\u00e9cor et architecture (XVIe-XVIIe si\u00e8cle) : entre union et s\u00e9paration des arts \/ D\u00e9cor and Architecture (16th-17th centuries): Between Adherence and Autonomy Universit\u00e9 de Lausanne, 16-17 novembre Quartier Centre | B\u00e2timent Unith\u00e8que (Biblioth\u00e8que cantonale et universitaire), salle 511 Le d\u00e9cor, \u00e0 la p\u00e9riode moderne, est consid\u00e9r\u00e9 comme l\u2019une des parties fondamentales de […]<\/p>\n","protected":false},"author":5,"featured_media":3637,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,27],"tags":[],"class_list":{"0":"post-2484","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-colloques","9":"czr-hentry"},"yoast_head":"\nD\u00e9cor et architecture - Schweizerische Gesellschaft f\u00fcr die Erforschung des 18. 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